CONTEMPORARY ART ASIA
ESSAY ON NIM KRUASAENG'S CONTEMPORARY ART
Each time I find myself in front of Nim Kruasaeng's work, it has the effect of making me feel as if I am in an undefinable state for which, right now, I would use the term dispersion. By which I mean a dispersion of consciousness, of critical self-awareness.
Physically I could compare this condition to when drops of oil fall into water: the oil does not mix with it, but more or less lenticular lumps rest on the surface, some dispersing whilst others unite in larger formations, though there is never a proper combining of the two elements. Thus one can say that Nim's shapes float on the surface of our consciousness and create dispersion.
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ASIAN TEXTILE ART
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